We do our best to have as little impact as possible on the life of this planet. We carefully choose organic yarns and fabrics, which allows our products to return to the soil in an infinite cycle. As a representative of the Thorns brand, I am proud to be part of this sustainable mission.

THORNS

Relationship between Afro-Caribbean dance styles and the way they are embodied and stereotyped. On a dance floor strewn with corn kernels, she creates a contemporary dance language that is deeply rooted in Creole culture, but also of today.

CORPUS

CRIOLLA

MAISON the FAUX

The complex experience of time and timelessness, lack of time and eternal value is central to TIMELESSTIME by MAISON the FAUX. Do we lose or gain time as the years pass? Is our mortality hot on our heels or do we just think it is? Does physical decline only make us vulnerable and afraid of death or is it the driving force to create, to philosophize, to believe, to destroy...?

HABITAT

The story of the mysterious stranger who awakens on the strange planet, his body and movements change as he reaches different stages on his journey of self-discovery. As the stranger gains new insights and comes closer to understanding his identity, his body and way of moving undergo transformations that reflect his inner growth. His form can change, his movements can become more fluid or powerful as he evolves on his spiritual journey. These metamorphoses not only reflect his inner transformation but also serve as visual cues to the depth of his journey and the mysteries he unravels.

I played a part in this dystopian future where the Crawl is the largest tribe on Earth. With the Earth's surface uninhabitable, the Crawl dug into the ground and built a dark city that reflects their vision of life. It features large brutalist spaces, dark tunnels, and a mysterious machine... What’s being built there?

GAIIA

Marina AbramoviC

Landscape With Figures is durational performance consisting of a given number of performers each standing upon a mirrored surface. Each performer caresses an infant-sized boulder. Overhead, a rig drips castor oil over the body of the performer for the entire duration of the piece. The piece may last between six and twelve consecutive hours.

In the Amsterdam version, the first iteration of Landscape, the piece was staged inside the ballroom of the Carré Theatre. The entire floor was covered with sand, like an artificial desert.

Curated by

Paula Garcia &

Marina Abramović

Institute.

Produced by

Royal Theatre Carré